![]() Time, money and other typical resources are part of all projects and don’t need to be written here. Overarching limitations on work products and processes, technology and platform constraints, and exceptional resource constraints. The key dates and events that frame the overall timeline of the project. When it is known, write down how you will mitigate them. Potential future events that can have a negative impact on the project. It should only include deliverables stakeholders or other teams will see, as well as assets that appear in a product or service that customers may see. User research, Persona development, Concept design, Wireframing, Creation of detailed mock-ups, User testing).ĭocuments that will be delivered. ![]() The key methods and approaches to be used on the project. You can regroup them by groups, such as “core team,” ”stakeholders” and “interested parties.” Also use this box to show dependencies if needed. The project participants, including all people involved in the project. Each goal can have its own associated success metrics written down as well. The concrete benefits for users when the project is successfully completed. This can be either a high level description, either a more detailed description. The main target groups relevant to the project. The 10 key elements of your project canvas are the: The visualization of your project allows for a better comprehension of the big picture and, as for other visual canvases, it makes the relationships project elements more visible than in lengthy written documents. Jim Kalbach created this methodology to help visualize projects, and to avoid deviations in the early stages of projects that can lead to exponential negative outcomes later on. This canvas helps you quickly portrait the key aspects of a design-related project accurately to increase its chance of success. However, the focus of this canvas is not on your startup strategy vision. PLATFORMS seeks to expand the reach of a long-standing and multifaceted queer collective practice, in which the group can foster meaningful experiences for multiple publics to engage with queer art and politics.This Project Canvas is inspired by Alexander Osterwalder’s Business Model Canvas. In Fall 2015, the PLATFORMS retrospective will showcase the artworks, herstory, and community-building processes of the Chances community over the last 10 years at several sites across Chicago. Selected exhibitions include: Fábrica de Arte Cubano, Havana, Cuba Hayward Gallery, London, UK, Angels Gate Cultural Center, CA The Media lab The College Art Association in NYC In Chicago, IL: The Museum of Contemporary Art, The Gene Siskel Film Center, Chicago Artists Coalition, The Reva and David Logan Center for the Arts, Evanston Art Center, Peregrine Program, Roots and Culture Contemporary Art Center, The Franklin, Johalla Projects.īegun in 2005 as an inclusive, welcoming, and alternative queer dance party, Chances Dances is a collective of artists, activists, DJs, and educators who organize parties, build safer spaces, and support local art and activism through direct funding and other resources. Dan uses the labor of team production to explore how performances of belonging are staged between the image-idea and the lived experience. His videos have been exhibited nationally and internationally and his work has been shown at the Texas Biennial (09 and 13), FotoFest’s Talent in Texas series (Houston, TX), The Sullivan Galleries at the School of the Art Institute of Chicago (Chicago, IL), Arlington Arts Center (Arlington, VA), Hyde PArk Arts Center (Chicago, IL) and others.ĭan Paz is a Chicago-based artist and educator working in video, photography, and performance. In 2013 he founded a PDF artist press, IMAGE FILE PRESS, dedicated to presenting artist books, zines, and other digital ephemera. ![]() In previous lives he has also been the programming director for the Cinematexas Experimental Film Festival, an arts blogger, co-founder of the feminist video collective AUSTIN VIDEO BEE, and an instructor at SAIC. He received a Master of Fine Arts from the School of the Art Institute of Chicago in 2011. He was born in Guadalajara, Mexico, in 1981. Ivan LOZANO lives and works in Chicago, IL. This exhibition introduces a physical and visual dialog regarding how diversity has become defined as the queer, and how this impacts the materiality and plasticity of self-identity and engagement across conceptual forms of expression. ![]() Finocchio explores the layers of queer identity in the 21st century.
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